KODAK Kodak VISION3 500T/7219 Color Negative Motion Picture Film

Welcome to the next step in the evolution of motion picture film: KODAK VISION3 500T Color Negative Film 5219/7219. The first in a new family of films, VISION3 500T Film gives you more control and flexibility at every phase of the film making process-from capture through post, in both digital and traditional work flows. VISION3 500T Film retains the overall look and image structure you've come to love in KODAK VISION2 Films-then adds a host of improvements. Their proprietary, advanced Dye Layering Technology (DLT) gives you noticeably reduced grain in shadows, so you can push the boundaries of exposure further and still get excellent results. And when scanning low-light scenes, VISION3 500T Film yields higher signal-to-noise ratios for unprecedented image quality. What's more, VISION3 500T Film's extended high light latitude gives you greater flexibility when lighting extreme situations and lets you pull even more detail out of highlights. Whether you're behind the camera or in the postproduction suite, you can bring your project to life as never before. KODAK VISION3 500T Color Negative Film. Your vision is continually evolving. Their sis, too. Base Acetate safety base with rem-jet backing. Darkroom Recommendations Do not use a safelight. Handle unprocessed film in total darkness. Processing ECN-2 Storage Store unexposed film at 13 deg. C (55 deg. F) or lower. For storage of unexposed film longer than 6 months, store at -18 deg. C (0 deg. F). Process film promptly Exposure Index Tungsten (3200K)-500; Daylight-320 (with KODAK WRATTEN Gelatin Filter No. 85) Laboratory Aim Density Time negative originals relative to Laboratory Aim Density (LAD) Control Film supplied by Eastman Kodak Company. Color Balance This film is balanced for exposure with tungsten illumination (3200K). You can also expose it with tungsten that has slightly higher or lower color temperatures (+/- 150K) without correction filters, since final color balancing can be done in printing. For other light sources, use the correction filters in the table below. Postproduction Information When you transfer this film, set up the telecine using negative 5219 Telecine Analysis Film (TAF). Reciprocity No filter corrections or exposure adjustments for exposure times from 1/1000 of a second to 1 second. In the 10-second range, increase exposure 1 stop and use a KODAK Color Compensating Filter CC10R. Identification After processing, the Kodak internal product code symbol (EJ), product code numbers 5219 (35 mm) or 7219 (16 mm), emulsion and roll number identification and EASTMAN KEYKODE Numbers are visible along the length of the film. Grain The perception of graininess of any film depends on scene content, complexity, color and density. In KODAK VISION3 500T Color Negative Film 5219/7219, the measured granularity is exceptionally low. Sharpness The perceived sharpness of any film depends on various components of the motion picture production system. Camera and projector lenses, film printers and other factors play a role, but the specific sharpness of a film can be measured and charted in the Modulation Transfer Curve.