Easy Learning Audio Recording Techniques Video Training Tutorials On 2 DVDs(DVD)

PRODUCT DETAILS:Learn Audio Recording Techniques Video Training Tutorials On 2 DVDsPRODUCT DESCRIPTIONLEARN AUDIO RECORDING TECHNIQUES VIDEO TRAINING TUTORIALS ON 2 DVDS DURATION : 5H 17M LEVEL : BEGINNER 130 VIDEO LESSONS5.3 GB WORKING MATERIALSINTRODUCTION 5M 28SWELCOME 2M 11SWHAT YOU SHOULD KNOW BEFORE WATCHING THIS COURSE 1M 22SUSING THE EXERCISE FILES 1M 29SLISTENING TO THIS COURSE 26S1. MONITORING 6M 39SSETTING UP YOUR MONITORS 4M 17SUSING A BASIC LISTENING TECHNIQUE 2M 22S2. MICROPHONE BASICS 25M 29SEXPLORING DIFFERENT MICROPHONE TYPES 5M 16SMICROPHONE DIRECTIONAL RESPONSE BASICS 2M 43SHEARING DIFFERENT DIRECTIONAL PATTERNS 4M 58SEXPLORING HOW THE PROXIMITY EFFECT WORKS 3M 55SEXPLAINING MICROPHONE CONTROLS 1M 49SREVIEWING MICROPHONE ACCESSORIES 3M 3SEXPLORING DIRECT BOXES 1M 9SEXPLORING AMPLIFIER EMULATORS 2M 36S3. RECORDING BASICS 24M 32SEXPLAINING THE MICROPHONE PREAMPLIFIER 3M 59SCHOOSING A PREAMP 1M 35SSETTING UP THE MIC PREAMP 1M 39SSETTING THE RECORD LEVEL 2M 29SUSING PROPER GAIN STAGING 1M 46SKNOWING WHAT TO DO IF DISTORTION OCCURS 2M 0SUSING THE COMPRESSOR DURING RECORDING 2M 58SUSING THE EQUALIZER (EQ) DURING RECORDING 2M 24SUSING THE HIGH-PASS FILTER DURING RECORDING 1M 4SEXPLORING THE PRINCIPLES OF EQ 47SAVOIDING LATENCY 3M 51S4. MICROPHONE PLACEMENT BASICS 15M 40SFINDING THE BEST PLACE IN THE ROOM TO RECORD 2M 44SCHOOSING THE RIGHT MIC 2M 24STHE SECRET TO MIC PLACEMENT 2M 12SUNDERSTANDING PHASE CANCELLATION, THE SOUND DESTROYER 2M 29SCHECKING POLARITY 3M 9SCHECKING THE PHASE BY LISTENING 2M 42S5. RECORDING THE DRUMS 54M 29SFINDING THE RIGHT PLACEMENT IN THE ROOM FOR THE DRUMS 1M 48STHE KEYS TO A GREAT DRUM SOUND 2M 2STUNING THE DRUMS 2M 19STUNING TIPS AND TRICKS 2M 26SMIKING THE BASS DRUM WITHOUT A FRONT HEAD 2M 15SMIKING THE BASS DRUM WITH FRONT HEAD PORT 1M 5SMIKING THE BASS DRUM WITH A FRONT HEAD 1M 12SUSING A SUBKICK MICROPHONE 1M 31SMIKING THE SNARE DRUM: TECHNIQUE ONE 3M 2SMIKING THE SNARE DRUM: TECHNIQUE TWO 57SADDING A BOTTOM SNARE MIC 1M 45SMIKING THE HI-HAT 2M 14SMIKING THE TOMS 2M 24SMIKING THE CYMBALS 3M 14SMIKING THE OVERALL KIT 1M 25SUSING ROOM MICS 2M 2SGETTING THE DRUM SOUND 2M 47SGETTING THE CORRECT DRUM MIX BALANCE 2M 50SCHECKING THE DRUM PHASE 2M 18SPANNING THE DRUMS 2M 25STWEAKING THE DRUM SOUND WITH EQ 3M 10SUSING THE ONE-MIC DRUM RECORDING TECHNIQUE 2M 37SUSING THE TWO-MIC DRUM RECORDING TECHNIQUE 1M 5SUSING THE THREE-MIC DRUM RECORDING TECHNIQUE 1M 45SUSING THE FOUR-MIC DRUM RECORDING TECHNIQUE 1M 26STIPS FOR DRUMMERS TO USE BEFORE RECORDING 1M 15STRACKING A SOLO DRUM PART 1M 10S6. RECORDING THE GUITAR 27M 31SFINDING THE RIGHT PLACEMENT IN THE ROOM FOR THE GUITAR 1M 24SMIKING THE AMPLIFIER: TECHNIQUE ONE 1M 58SMIKING THE AMPLIFIER: TECHNIQUE TWO 1M 30SMIKING THE AMPLIFIER: TECHNIQUE THREE 1M 54SUSING THE MARSHALL CABINET MIKING TRICK 1M 30S7. RECORDING THE BASS 14M 0SFINDING THE RIGHT PLACEMENT IN THE ROOM FOR THE BASS 57SRECORDING THE BASS USING A DIRECT BOX 1M 44S8. RECORDING VOCALS 20M 47SFINDING THE RIGHT PLACEMENT IN THE ROOM FOR VOCALS 53SRECORDING A SCRATCH VOCAL 1M 24SEXPLORING VOCAL MIC PLACEMENT 3M 2SUSING A LIMITER ON VOCALS 2M 7SRECORDING IN THE CONTROL ROOM 1M 35SSETTING UP THE VOCAL HEADPHONE MIX 2M 26SDOUBLING THE VOCAL 2M 52S9. RECORDING THE ACOUSTIC PIANO 10M 49SRECORDING A SOLO GRAND PIANO WITH ONE MIC 2M 14SRECORDING A SOLO GRAND PIANO IN STEREO 1M 8S10. RECORDING HORNS 13M 57SFINDING THE RIGHT PLACEMENT IN THE ROOM FOR HORNS 1M 18SRECORDING A SOLO SAX: TECHNIQUE ONE 2M 40SRECORDING A SOLO SAX: TECHNIQUE TWO 2M 30SRECORDING A SOLO BRASS INSTRUMENT 3M 20SRECORDING A HORN SECTION: TECHNIQUE ONE 2M 27SRECORDING A HORN SECTION: TECHNIQUE TWO 30SRECORDING THE HORN SECTION PART 1M 12S11. RECORDING ACOUSTIC STRING INSTRUMENTS 7M 30STHE KEY TO MIKING ANY ACOUSTIC INSTRUMENT 1M 3SRECORDING AN ACOUSTIC STRING INSTRUMENT 2M 25S12. RECORDING PERCUSSION 2M 36SRECORDING DRUM PERCUSSION 1M 19S13. RECORDING ELECTRIC INSTRUMENTS 5M 23SRECORDING ELECTRIC KEYBOARDS 1M 58S14. RECORDING IN STEREO 12M 4SUNDERSTANDING THE IDEA BEHIND STEREO RECORDING 1M 14SUSING THE X/Y CONFIGURATION 3M 21S15. THE RECORDING SESSION 20M 26SSETTING UP FOR A TRACKING SESSION 4M 17SSETTING UP A TALKBACK MIC 1M 27S16. SETTING UP A ROUGH MIX 48M 47STHE KEYS TO A GREAT ROUGH MIX 4M 55SSETTING UP THE EFFECTS 3M 47SAND 5.3 GB WORKING MATERIALS